
Friederike Felbeck
Fellow
Director, writer and producer. After her studies with Jürgen Flimm, she worked as personal assistant to Armand Gatti und Roberto Ciulli. Her debut after Pasolini´s “Pig´s Stall” was followed by productions of both classical and contemporary authors. She has written plays about fine artists Eva Hesse and Alexej von Jawlensky and developed performances concerned with urban development and architecture. Her travels have frequently led her to the Middle East, initiating the first Syrian-German co-production after Sadallah Wannus “Tuqûs al-ishârât wa al-tahawwulât”. Her most recent productions include “Everyman” by Hofmannsthal, staged with actors from Germany and Senegal and “Antigone”, performed on the grounds of a former National Socialist training institution, that after WWII transformed from military training area to memorial site. Still on-going is “Government Poetry”, an artistic view on UNESCO´s Convention on the Protection and Promotion of the Diversity of Cultural Expressions. As a lecturer, she has focussed on psychoanalysis and film and the role of art in Human Rights Education.
Director, writer and producer. After her studies with Jürgen Flimm, she worked as personal assistant to Armand Gatti und Roberto Ciulli. Her debut after Pasolini´s “Pig´s Stall” was followed by productions of both classical and contemporary authors. She has written plays about fine artists Eva Hesse and Alexej von Jawlensky and developed performances concerned with urban development and architecture. Her travels have frequently led her to the Middle East, initiating the first Syrian-German co-production after Sadallah Wannus “Tuqûs al-ishârât wa al-tahawwulât”. Her most recent productions include “Everyman” by Hofmannsthal, staged with actors from Germany and Senegal and “Antigone”, performed on the grounds of a former National Socialist training institution, that after WWII transformed from military training area to memorial site. Still on-going is “Government Poetry”, an artistic view on UNESCO´s Convention on the Protection and Promotion of the Diversity of Cultural Expressions. As a lecturer, she has focussed on psychoanalysis and film and the role of art in Human Rights Education.

