David Moss
Fellow
David Moss is considered one of the most innovative singers and percussionists in contemporary music. He has performed his solo and theatre work all over the world, from New York (Lincoln Center) to Venezia (Theatro La Fenice) to Brisbane (Festival). In 1991 he received a Guggenheim Fellowship; in 1992 a DAAD Fellowship (Berlin). Moss is the co-founder and artistic director of the Institute for Living Voice. Moss has sung with the Berlin Philharmonic under Sir Simon Rattle, made his Carnegie Hall debut with the American Composers Orchestra, sings regularly with the Ensemble Modern. He was a featured soloist in Luciano Berio‘s “Cronaca del Luogo” at the Salzburg Festival and returned to Salzburg in 2001 as Prince Orlovsky in “Die Fledermaus”. Moss sings in Heiner Goebbels’ orchestra work “Surrogate Cities” and music-theatre work “Prometheus”.
David Moss is considered one of the most innovative singers and percussionists in contemporary music. He has performed his solo and theatre work all over the world, from New York (Lincoln Center) to Venezia (Theatro La Fenice) to Brisbane (Festival). In 1991 he received a Guggenheim Fellowship; in 1992 a DAAD Fellowship (Berlin). Moss is the co-founder and artistic director of the Institute for Living Voice. Moss has sung with the Berlin Philharmonic under Sir Simon Rattle, made his Carnegie Hall debut with the American Composers Orchestra, sings regularly with the Ensemble Modern. He was a featured soloist in Luciano Berio‘s “Cronaca del Luogo” at the Salzburg Festival and returned to Salzburg in 2001 as Prince Orlovsky in “Die Fledermaus”. Moss sings in Heiner Goebbels’ orchestra work “Surrogate Cities” and music-theatre work “Prometheus”.
